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But in this case control is performed via a computer and not a phone or tablet.
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Payment of the $199 fee is made in-app, and then afterwards the full MultEQ-X program will be ready for unlimited use.Īs with the Audyssey MultEQ Editor App, control of the AVR is either via Wi-Fi or wired Ethernet. The MultEQ-X App is downloadable from the Microsoft Store, which requires a Microsoft account and password.
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But if your AVR needs repairs (using an authorized service facility) and the program gets wiped, Audyssey will authorize a new download at no charge under the current policy. It's also limited to the AVR it was purchased for and isn't transferrable to other products or individuals. The $199 you'll pay for the MultEQ-X program/app is a one-time charge any future upgrades to it are free. In general, any AVR that's compatible with the MultEQ Editor app, such as the most recent Denon and Marantz models, will work. Not all are: some will be partially compatible, but many older products can't use it at all. While there's no way to squeeze the contents of that 35-page guide into a review, I'll try to cover its key elements here.Īudyssey's user guide provides details on AVRs compatible with the program. Perhaps the best way to proceed, before or after downloading the working program, is to first download the Audyssey MultEQ-X User Guide from the Audyssey website. There are also several "how to" videos on YouTube explaining program setup, though these are often fast-moving and sometimes wander off into the tall grass.
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Fortunately, there's a link to a trial mode on its opening page, which lets you surf through the program to get a feel for it but can't actually be used to calibrate your system. The MultEQ-X program isn't immediately intuitive.
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The software runs on a Windows 10 or 11 PC operating at 64 bits, or on an older, Intel-based (not M1), Mac using Boot Camp or virtualization (it currently isn't available for MacOS). AVRs with built-in Audyssey MultEQ xt32 processing will benefit most from MultEQ-X, which offers greatly improved adjustment flexibility over previous Audyssey versions. The latest version of Audyssey is MultEQ-X, which was released in December 2021 and is priced at $199. (The Editor app includes a feature I've used extensively: restricting equalization to a limited frequency range, typically to just the low-to-upper bass where room modes have the most detrimental impact.) The latter, a $20 download that isn't compatible with all Audyssey-equipped AVRs or processors, offers the ability to manually tweak the target correction curve. For many years, the top-level version was MultEQ xt32, which was later supplemented by the MultEQ Editor app. Today, all A/V receivers and preamp/processors include room EQ of some type from Audyssey, Dirac Live (Audyssey's main competitor), or other brand-exclusive formats such as Yamaha's YPAO (Yamaha Parametric Acoustic Optimizer) and Anthem's ARC (Anthem Room Correction).Īudyssey has been refined frequently since that introduction.
But EQ for home theater was a different ball game. With rare exceptions, traditional audiophiles never embraced it, perhaps out of fear it would pollute the straight-wire-with-gain purity of their setup (and the room doesn't?). It wasn't until 2002 that room EQ took off with the launch of Audyssey, which was founded at the University of Southern California by USC professors Chris Kyriakakis and Tomlinson Holman, the latter famous for his work in the development of THX while at LucasFilm.īy 2004 Audyssey began appearing in A/V receivers and preamp-processors. My first exposure to it came over 20 years ago with the Snell Acoustics RCS1000 Room Correction System, a complex device that never made a splash in the market before that innovative company folded. Electronic correction for the flaws common to any listening room wasn't always a thing.
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